The Dance
from its dancers circulates among the other
dancers. This
would-have-been feverish cool excess of
movement makes
each man hit the pitch co-
ordinate.
Lovely their feet pound the green solid meadow.
The dancers
mimic flowers -- root stem stamen and petal
our words are,
our articulations, our
measures.
It is the joy that exceeds pleasure.
You have passd the count, she said
or I understood from her eyes. Now
old Friedl has grown so lovely in my years,
I remember only the truth.
I swear by my yearning.
You have conquered the yearning, she said
The numbers have enterd your feet
turn turn turn
When you’re real gone, boy, sweet boy ..
Where have I gone, Beloved?
Into the Waltz, Dancer
Lovely our circulations sweeten the meadow.
In Ruben’s riotous scene the May dancers teach us our learning seeks
abandon!
Maximus calld us to dance the Man.
We calld him to call
season out of season-
d’mind!
Lovely
join we to dance green to the meadow.
Whitman was right. Our names are left
like leaves of grass,
likeness and liking, the human greenness
tough as grass that survives cruelest seasons.
I see now a radiance.
The dancers are gone.
They lie in heaps, exhausted,
dead tired we say.
They’ll sleep until noon.
But I returned early
for the silence,
for the lovely pang that is
a flower,
returnd to the silent dance-ground.
(That was my job that summer. I’ dance until three, then up to get the hall
swept before nine-beer bottles, cigarette butts, paper mementos of the
night before. Writing it down now, it is the aftermath, the silence, I
remember, part of the dance too, an articulation of the time of dancing..like the almost dead sleeping is a step. I’ve got it in a poem, about Friedl,
moaning in the depths of. But that was another room that summer. Part of
my description. What I see is a meadow..
I’ll slip away before they’re up..
and see the dew shining.