Thinking about the Korcula Conference
A summary in the form of a Limerick
I was saying this morning to Portula
There’s sword dance galore in Korcula
But what does it mean
When they leap or they lean?
All dancing cries out for analysis.
Now dance is a system of knowledge
You don’t learn it by going to college
You can dance in your bed
For it’s all in your head
Thinking does not mean paralysis.
Dancing with sword or without
Leaves me with a feeling of doubt
Are these really dances
Or poses with glances?
Structured movements transformed to the festive.
Sword dance shows male virtuosity
And can be more than just curiosity
But the absence of theory
Is a reason to worry
Will comparisons lead us to synthesis?
Moving dance from farm to the stage
For a while was all of the rage
Some dancing was crude
Now felt to be rude
Not fit for the “R” word -- revival.
What about beheading a bull?
About which the papers are full
“Its our sacred past
And we want it to last
To time im-mem-mem-morial.”
Authenticity has become now the “A” word
But from this we vow to more forward
But where will we go
When the world wants to know
Which dances are really traditional?
To a festival we’ll move on our meeting
And from there we’ll send you our greeting
Transylvania’s first on our list
Several others are not to be missed
To continue our trek, we insist.
At festivals old dances revive
Lost figures mysteriously survive
From rituals of old
Or so we are told
Pagan fertility rites clearly alive.
Other festivals have quite different forms
Identity is one of the norms
Revitalization of Zapin
A dance form now equal to rappin
In Malaysia its causing a storm.
But beware when a festival’s fame
Aims at glorifying a dictator’s name
Calus had its basis in healing
But on stage it’s just jumping and reeling
Festival time is more than just happy.
When a festival is aimed at the “other”
Don’t dance what you earned from your
mother
Those tourists will not understand
What your ancestors declared to be grand
Outsiders want something more snappy.
For ourselves there’s a different agenda
Fieldwork in Greece or with the Venda
Some work on survival
For the rest there’s revival
With a glance back to history or folklore.
Meanwhile back at the seaside
Our new president was seen to preside
Here Marianne held sway
Mixing hard work with play
Never letting enthusiasm subside.
Egil Bakka is leaving the board
Now this is a two-headed sword
He gave us a balm
To keep us all calm
We extort him to continue his viligance.
Elsie, Tvrtko, Iva, Naila, and Ratko
attended our personal affairs
Dancing, eating, participating, observing
interwoven with consummate care
Indeed, it will be a menace
If we go to Venice
To uphold such a star-studded aire.
We all know that greatness is rare
Yet that is what we participants declare
So while singing its praise
Let our glasses all raise
To a conference extraordinaire.
Adrienne Kaeppler